Jazz Combo

Join us this summer to make your own jazz history.

Residential Tuition…………..$995

Commuter Tuition…………..$795

  • For Students grades 6-12
  • Adult registration as Commuter and only with instructor consent

About

For more than 55 years, the Master Teachers of the Shell Lake Arts Center Jazz Camps have launched the careers for some of America’s most acclaimed young jazz musicians:  Ethan Iverson (The Bad Plus), Geoff Keezer (Art Blakey, David Sanborn), Lyle Mays (Pat Metheny Group), Bill Evans Saxophone (Miles Davis, Randy Brecker), Trumpeter Byron Stripling (Count Basie, Woody Herman).

Jazz Combo and Improvisation camp differs from Jazz Band camp in that the ensembles are smaller and may feature only one student per instrument.  The focus of this camp is on small-group performance practices and a more in-depth exploration of improvisation. 

Combo Camp features masterclasses, improv sessions, jazz history and listening. Camp also includes individual improvisation lessons and arranging classes! Whether you’re just beginning your improvisation journey or have years of experience, this camp is for YOU!

Jazz Combo Camp will end the week with a special concert performed by the students for a public audience.

vibes
Electric Bass
String bass
Electric Guitar
Drumset
Piano

 

trumpet
Trombone
Alto Saxophone
tenor saxophone
baritone saxophone

Placement Screening

Whether you’re just starting out studying jazz, or are an accomplished,  passionate performer continuing your studies, this camp is for you!  All levels of experience are accepted-from beginner to advanced. Students receive a personal private placement screening on Sunday when they arrive in Shell Lake.  They are matched with others of the same abilities and technical skills.

  • Full-range chromatic scale from your lowest note to your highest note
  • At least three major scales of your choice, two octaves or full-range if possible.
  • Sight-reading of a swing jazz etude excerpt. (faculty will choose the piece)
  • Optional (but highly recommended) prepared jazz etude of your choosing.
  • Optional improvisation (but highly recommended) on a 12 bar blues. Student can choose the key they prefer for this.
  • A jazz standard
  • A 12 bar jazz blues
  • An excerpt from a classical or ragtime piece
  • Students should improvise on chord changes from a standard jazz tune and/or blues progression.
  • Note: If you have an additional prepared piece (ie a jazz solo transcription) , please let the faculty member hearing your audition know before you begin.
  • 1) A comping pattern for blues in B-flat or F.
  • If you know a blues melody in one of these keys (i.e., “Tenor Madness”), you may play it as well.
  • Note: If you have an additional prepared piece (ie a jazz solo transcription) , please let the faculty member hearing your audition know before you begin
  • A walking blues bass line in the key of B-flat or F.
  • Note: If you have an additional prepared piece (ie a jazz solo transcription) , please let the faculty member hearing your audition know before you begin.
  • Various drum set styles (swing, latin, rock, etc.).
  • Sight-reading a jazz excerpt
  • Improvising a drum solo on a Jazz Standard or 12 Bar Blues.
  • Note: If you have an additional prepared piece (ie a jazz solo transcription) , please let the faculty member hearing your audition know before you begin.

Sample Schedule

Wake-up


7:15 a.m.

 

Breakfast


8:00 a.m.

 

Masterclass


9:00 a.m.

 

Combo Rehearsal


10:00 a.m.

 

Improvisation


11:00 a.m.

Listening Sessions

Lunch


12:00 p.m.

 

Combo Rehearsal


1:00 p.m.

 

Kitchen Sink


2:30 p.m.

Topics/discussions, jam sessions, etc

Individual Practice


3:30 p.m.

Optional Private Lessons/Free Time

Dinner


5:00 p.m.

 

Evening Concerts/Camp Activities


7:00 p.m.

Free Time

Lights-out


10:00 p.m.

 

Meet the Instructors

About the Program Director

Riley Helgeson is an in-demand lead and jazz trumpet player as well as a composer based in Minneapolis/Saint Paul, MN. Helgeson has toured North America and Europe with Sonny Knight and the Lakers, Friendly Fires (UK), and his own project, McNasty Brass Band. He has also performed on ABC’s “Shark Tank,” with Minneapolis-based McNasty Brass Band. His performances have been broadcast on MPR, The Current, and “The Lowertown Line” at Twin Cities PBS.

He has had the honor to perform with O.A.R., PJ Morton, Marie Osmond, Stokely, Fred Wesley(James Brown, Parliament-Funkadelic) and John “Jabo” Starks(Bobby Bland, James Brown).

Other notable performances include shows at the Ordway Center for Performing Arts (MN), Fitzgerald Theater (MN), the Armory (MN), First Avenue (MN), the Fonda Theater (Los Angeles), The Fillmore (San Francisco), Monterey Jazz Festival (CA), Rochester Jazz Festival (NY), Saratoga Springs Jazz Festival (NY), Twin Cities Jazz Festival (MN), Winnipeg Jazz Festival (MB), and Pori Jazz Festival (Finland).

He serves on the jazz faculty of Shell Lake Arts Center, WI, maintains a private trumpet studio in the Twin Cities, and is trumpet faculty at Century College in White Bear Lake, MN.

Riley Helgeson is an XO Brass artist.

Helgeson holds a Bachelor’s Degree in Trumpet Performance from University of Minnesota, Twin Cities.

Faculty Member: Luke Gillespie

Luke Gillespie is professor of music in jazz studies at the Indiana University Jacobs School of Music.

An active performer of jazz and classical piano music, Gillespie is the recipient of numerous awards, including the 1994 Indianapolis Jazz Festival Competition, best performance from the Indianapolis Star in 1993, and the 1990 Copland Piano Concerto Competition at Indiana University. He has performed and given master classes in the United States, Japan, China, Indonesia, Austria,Croatia, Germany, Italy and Slovenia.

He has recorded with the Arts Center Jazz Collective, Jeremy Allen, David Baker, Bruce Bransby, Buselli-Wallarab Jazz Orchestra, James Campbell, Todd Coolman, Steve Davis (drums), Everett Greene, Pat Harbison, Steve Houghton, Sylvia McNair, Dan Perantoni, John Raymond, Eugene Rousseau, Walter Smith III, Dominic Spera, Wanda Stafford, Dave Stryker, Tierney Sutton, Wayne Wallace and Tom Walsh (with whom he toured Europe in May 2002-03, Japan in May 2004-05, and China in May 2009).

He has performed with Alex Acuna, Jamey Aebersold, Eric Alexander, Rahsaan Barber, Ron Blake, Ralph Bowen, Benny Golson, Wycliffe Gordon, Bunky Green, Jimmy Heath, Nicole Henry, Robert Hurst, Ingrid Jensen, Kelley Johnson, Pat LaBarbera, David Liebman, Marshall McDonald, James Moody, Ed Neumeister, Chris Potter, Rufus Reid, Jeff Rupert, Arturo Sandoval, Jim Snidero, Bennie Wallace, Rodney Whitaker, Pharez Whitted, the Smithsonian Jazz Masterworks Orchestra, and Pablo Ziegler.

Gillespie is included in Jazz Play-Along, Vol. 76, “How to Learn Tunes,” by David Baker (Aebersold). He has published articles on the aesthetics of jazz and classical music as well as a book, Stylistic II/V7/I Voicings for Keyboardists (Aebersold, 2000, third printing, 2015), endorsed by Danilo Perez, Geoff Keezer, David Liebman, David Baker, and Frank Mantooth. He also adapted Jamey Aebersold’s Play-Along Volume 1 for Piano (2015). His solo jazz piano CD, Footprints (2003), was released on RIAX Records (2003), and two trio CDs, Live at the Station (2010) and Third Base Line (2011), were released on Watercourse Records. His latest CD, Moving Mists (2019), was released on Patois Records.

Faculty Member: David Schmalenberger

David Schmalenberger recently performed on drumset/percussion with Karrin Allyson, the Steeles, Marilyn Maye, Take That Back!, the Minnesota Orchestra, Billy Stritch, and the Uptown Brass Quintet. He also recently recorded with Take That Back! (“Splash”), David Martin and DAT Trio (“ReLit”), trumpeter Chuck Lazarus (“The Hymn Project,” “Lovejoy,” and “Merrier and Brighter”), the Laura Caviani trio with Chris Bates (“Mysterious Thelonius” and “Confluence”), Vicky Mountain and David Martin (“Play On”), Jerry Kosak (“New Possibilities”), and the Bill Simenson Jazz Orchestra (“Big Alpaca”). 

David is active as a clinician offering workshops in jazz, percussion, and world music. Schmalenberger received his DMA in Percussion Performance and World Music from West Virginia University, Master of Music Degree in Orchestral Percussion from the University of Michigan, and Bachelors Degree in Jazz Studies from Capital University. 

Dr. Schmalenberger is currently an adjunct faculty member at Carleton College, Augsburg University, and Anoka Ramsey Community College. 

David also endorses Premier drums and Paiste cymbals. 

Faculty Member: Phil Ostrander

Phil Ostrander is Professor of Trombone and Bands at the University of Wisconsin-Eau Claire where he conducts the Symphony Band, teaches private trombone, and trombone ensemble.  Dr. Ostrander completed his doctoral studies at the Eastman School of Music. Dr. Ostrander received master’s degrees in both trombone and wind conducting from the New England Conservatory, as well as a bachelor’s and Performer’s Certificate from Eastman. Dr. Ostrander champions diversity in repertoire with the UWEC Symphony Band. The band performs music composed by under-represented composers in every concert, and since 2017, the ensemble’s first concert of the year celebrates music written by female composers. The ensemble tours to a middle or high school with a diverse student population every year to perform and collaborate.

He has performed with the Minnesota Orchestra, the St. Paul Chamber Orchestra, the Boston Pops Esplanade Orchestra, the Rochester Philharmonic, the Kansas City Symphony, the Buffalo Philharmonic, and the popular chamber groups Rhythm and Brass and the Burning River Brass Ensemble. Currently, he is a member of the IRIS Chamber Orchestra in Memphis, Tennessee under Michael Stern and also Principal Trombone of the Minnesota Opera Orchestra.He performs in Broadway shows regularly at the Orpheum and State theatres in Minneapolis. An accomplished jazz trombonist, Dr. Ostrander has collaborated with jazz artists Maria Schneider, Jim McNeely, Jimmy Heath, Claudio Roditi and Rich Beirach.  He teaches jazz and created the Trombone Workshop at the Shell Lake Arts Camp in northern Wisconsin.  He has recorded on Sony Classical with the Eastman Wind Ensemble and Naxos with the IRIS Orchestra.  Dr. Ostrander is a clinician for the Conn-Selmer Musical Instrument Company.

Faculty Member: Bill Sears

Saxophonist Bill Sears is revered by jazz audiences throughout the state of Michigan and the Upper Midwest.  A native of Racine, Wisconsin, Bill received the BM and MM degrees from Indiana University after which he moved to Chicago, quickly becoming a core member of the city’s vibrant jazz scene. Bill moved to the Traverse City region of Michigan in 1987 when he accepted the position as Director of Jazz Studies and instructor of saxophone at the Interlochen Center for the Arts, a position he held for 34 years until his retirement in May of 2021. From 1977-2009 he served as an instructor at the jazz camps at the Shell Lake Arts Center where he has returned occasionally since 2019.  Bill also taught at the summer jazz camp at the Saskatchewan School of the Arts from 1980-89.  An engaging jazz stylist steeped in the tradition of the masters of his instrument, he can be heard performing with his own groups; with Sears and Sears-a jazz quintet he co-leads with his wife Laurie; with various other groups in and around Northern and West Michigan; and he is proud to be a charter member of the Traverse Symphony Jazz Orchestra.  

Bill enjoyed touring the US and Europe with the Ray Charles band.  Additional jazz greats with whom he has performed include Dizzy Gillespie, Peter Erskine, Geoffrey Keezer, Rick Margitza, Rodney Whitaker, saxophonist Bill Evans and most recently with multi-Grammy award winner Bob James. He has shared the stage with a plethora of great vocalists in the jazz and popular genres including, but not limited to: Joe Williams, Nancy Wilson, Dionne Warwick, Natalie Cole, Sarah Vaughan, Lou Rawls, Mel Torme, Tony Bennett, and Aretha Franklin; and groups such as The Temptations, Four Tops, Spinners, Manhattan Transfer, Supremes, Henry Mancini, and Gladys Knight and the Pips.  He has been a contracted saxophonist with the Grand Rapids and Traverse Symphony Orchestras for many years and has also appeared with the Indianapolis, South Bend and Southwest Michigan Symphony Orchestras.  

Appearing on about 20 albums, Bill has released two CD’s as a leader: Chasin’ The Goal with fellow saxophonist Rick Margitza, and With One Accord with the Arts Center Jazz Collective.  Both albums feature not only his unique voice as a saxophonist and improviser, but several of his original compositions. Bill Sears is a Vandoren artist, whose reeds and mouthpieces he plays exclusively.  

Faculty Member: Chris Bates

Chris Bates is a creative and forward thinking musician who has carved out a unique niche for himself over a 30 year career as a bassist, composer, educator and collaborator. From freelance work with touring jazz artists (Adam Levy, Lynne Arriale, Russ Johnson, Lee Konitz, Mose Allison), to studio work with singer / songwriters (David Huckfelt, Pushing Chain), and continuous collaboration with high profile bands (Atlantis Quartet, Red Planet, Framework) Chris’ career reflects his broadly diverse interests and aspirations. Chris leads his own groups which include the Good Vibes Trio, Chris Bates Trio, Sound Anew and his award winning, 7-piece ensemble, RED 5. Since 2022 Chris has played full time with Billboard charting Blues / Americana artist Joyann Parker, appearing on her latest album ‘Roots’ in 2023. The intimate and colorful duo album ‘Weights and Measures’ from Nathan Hanson / Chris Bates was released in early 2023 to critical acclaim. Recent recording sessions with Atlantis Quartet, Zacc Harris Group and Cody Steinmann Trio (featuring JD Allen) are all set for release in 2024-25. For more on Chris and his activities visit doublebates.com

Faculty Member: Christopher Olson

Christopher Olson has performed as a solo artist, in duos with many of the finest singers and instrumentalists in the Twin Cities, and with a variety of ensembles in Minnesota and Wisconsin for over 30 years. Notable Jazz groups include JazzMN Orchestra, The Freier Department, Explosion Big Band, and the trio, Framework. Chris has shared the stage with many Jazz greats, including Ingrid Jensen, Tierney Sutton, Gretchen Parlato, and Maria Schneider. Chris has taught at several Universities and Community Colleges in the midwest, including 5 schools within the UW System. 2024 will be his 21st year teaching at the Shell Lake Arts Center. Learn more at www.chrisolsonmusic.com

 

Additional Information

Questions? Feel free to contact us for any additional information.

Accommodations

Lodges are available for the duration of the camp session. They are supervised by a professional counseling staff on duty 24 hours each day and meals are prepared under the supervision of a state-approved dietitian.

Commuter Expectations

Commuter students are expected to remain at camp until the day’s activities are completed (Typically 9:am-8pm).

Registrations

Online registrations are accepted until the camp is full. Students may be placed on a waiting list if desired. A camp registration form is sent after payment is received. All cancellations must be made in writing and received 3 weeks in advance of the start of camp for a full refund. A $100.00 fee will be deducted from your refund. Refunds less than three weeks before camp will be evaluated on a case by case basis.


Residential Tuition

Our student tuition is $995 per student and includes instructional fees, room and board and a camp t shirt which will be worn at the final performance. Please refer to the registration materials found on our registration site atUltracamp for complete details. A $100 down payment is due at the time of registration.  The remaining balance can be paid at the time of registration or in equal monthly installments.  All Tuition must be paid before arrival at camp.

Commuter Tuition

This option is for campers that want to attend our camps but not stay in our dorms, The $795 tuition covers instructional fees, a camp T-Shirt which will be worn at the final performance, meals, and evening activities. Commuters arrive for their first class by 9AM, and can be picked up any time after evening activities conclude (usually around 8pm).

Check-in / Check-out

Check in begins at 2pm on Sunday of the week your camp begins.  All medical, dietary, and consent forms must be completed in UltraCamp before arriving at camp.  Additional information will be emailed to you approximately 4 weeks before camp begins.

Scholarships

Each year, the Arts Center raises funds for the scholarship program. If you are interested in applying for an Arts Center scholarship, please visit our website

Additional Information

To request disability accommodations, or other special requests, please contact the Arts Center at least two weeks in advance of camp. More information about camp and all of the opportunities available at the Shell Lake Arts Center can be found on our website.

Participants are admitted without regard to race, color, religion (creed), gender, gender expression, age, national origin (ancestry), disability, marital status, sexual orientation, or military status, in any of its activities or operations.  The Shell Lake Arts Center is an inclusive organization, and we accept all artists and musicians.